Truyện cổ Andersen - Tái bản 03/02/2002
Thông bucket tác giảVăn HòaVào trang riêng của tác giảXem tất cả các sách của tác giảCó những tác phẩm cổ điển nổi tiếng quá đọc đi đọc mãi trở thành nhàm, nhiều người yên trí là chẳng có gì mới nữa. Kể cả các tác phẩm cổ điển cũng có thể bị mòn. Do đó, ở Pháp có xuất bản một tủ sách tên là " Đề cập mới" nhằm mang lại cho người đọc " một nghệ thuật đọc, hay đọc lại" để khám phá những cái mới trong những tác phẩm cũ. Thuộc loại này có thể liệt kê tập Truyện cổ Anđecxen. Chúng ta ai đã chẳng từng đọc hồi còn bé một vài truyện của ông, ít nhất cũng là Cô bé bán diêm, Bộ quần áo mới của Hoàng đế, Vịt con xấu xí. . . Và khi lập gia đình, thường ta ít khiđọc lại Anđecxen, fort dearborn rmua truyện của ông cho con cháu đọc, yên trí đó chỉ là truyện thần tiên cho trẻ con, có đôi lúc cũng thấm thía triết lý sâu sắc của một số truyện, thế thôi. Nhà văn Hans Humane Andersen ( 1805-1875) có lẽ là một hiện tượng văn học hiếm có trên thế giới. Thường thì các quốc gia đều chọn cho những công trình xây dựng đồ sộ, những anh hùng cái thế, những chính trị gia xuất sắc, những tướng tài ba. . . để làm biểu trưng. Riêng Đan Mạch chọn đại diện cho mình là nhà văn Anđecxen. Đan Mạch tự gọi đất nước của Anđecxen, của "nàng Tiên cá nhỏ". Với bản dịch Anđecxen mới này không những lấy các truyện của bản Odense, mà còn thêm một số truyện ở các tập khác,ddo đó khá đầy đủ truyện cho trẻ con và người lớn. Dịch giả cũng cố gắng thể hiện lại văn phong của Anđecxen.
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Truyện cổ Andersen - Tái bản 03/02/2002
1. Memorable 5 2. Social Relevance 5 3. Informative 2 4. Originality 5 5. Thought Provoking 5 6. Expressiveness 5 7. Entertaining 4 8. Visualization 1 9. Sparks Emotion 3 10. Life Changing (Pivotal, crucial, determining, defining, momentous, fateful, consequential, climacteric, transformational) 1 5, 5, 2, 5, 5, 5, 4, 1, 3, 1 ====> 36/10 = 3.6 http://www.goodreads.com/poll/show/51... Мирко Чентович (Mirko Chentovich), as described in "Chess Story", would be called nowadays "autistic" - or so called "right brained". That is the person who's perception of reality is graphical; the person without an ability to deal with the abstraction. Zweig is pointing that Мирко Чентович (Mirko Chentovich) always needed to see the real chess board in front of him to play, while his opponent developed the ability (and had the genetic potential for this) to keep the chess board disposition in his mind (for several steps ahead and even later he was able to do it simultaneously interchangeably for both sides: "white" and "black"). Here is what I found by "googling" how the distinction between the person being "right brained" vs being "left brained" relates to chess. ============================ http://webcache.googleusercontent.com... Our brains have two sides, a left side and a right side. These two sides are connected by a tight bundling of nerves called the corpus callosum. It is by this connection that the two sides communicate with each other. ... Average left-handedness (right brained)in the general male population is between 10 percent and 13 percent. But Dr. Cranberg found that 18.6 percent of male chess players were left-handed. ... Lets look at some of the logic utilized in chess. "Chess requires the ability to visualize what the board looks like several moves in the future - a skill involving the right hemisphere of the brain. Verbal and linguistic abilities, on the other hand, reside mostly in the left hemisphere. While visualizing a series of moves is important, even more crucial is the ability to recognize patterns among the near-infinite arrangement of pieces. All middle game chess positions can be divided into two groups: 1. Positions resolvable only by intuitive decisions; and (right-brain) 2. Positions resolvable by means of variations or logic. (left-brain) The first group, positions requiring intuitive decisions. The second group, are positions resolvable by variations or logic. Variations of logic worded such as to take this then take that, or if this then that. The left side of the brain predominately thinks sequentially. It is a step by step thinker. When solving a mate in three moves the left side of our brains should be solving the problem. The right brain predominately likes to see things as a whole. This is the side of our brain that is capable of determining if someone is lying just by looking at their face. Our mind picks up all of the subtle hints that we have learned over the years and puts them together all at once - this is the information, which the right brain is using. The right brain is the part of our brain that "tells" us that there is a mate in three moves and all we have to do is to find it." =============== Going back to my reflections upon reading this novel, Zweig brilliantly depicted two different aspects of the chess game, its duality being both the art and the sport. The "challenger", who at the beginning of his chess experience was only replaying the chess parties with the predetermined outcome ( being played originally between other chess masters, captured in the book) and who then later played only against himself, - he was approaching the chess game strictly as an art - without considering the competitor and his psychology, without finding and taking advantage of the weak features of the competitor's character and personality, relevant to his behavior, being revealed during playing chess. The champion, on another hand, was very aware of the sport aspect of the chess game and he was very skilful and observant psychologist, who in order to win would not hesitate to take advantage of the weak chess playing psychological traits (such as impatience and lack of self control) of his competitor. On the negative side, I found somewhat hard to believe that the chess book was hidden by the "captive" so well that it was not found in the hotel room for few months. Zweig does not tell how this was achieved. Germans are very meticulous in their actions, as you may know, including keeping an eye on the "captive". I also did not find the reason why the "captive" teared the first page from the book on the first day of "obtaining" it. I also am doubtful re believing into the part of the story, which was telling how Germans let the "captive" guy go (on the grounds of mental disease ) - first out of captivity and later out of the country so easy. The time of that part of the story could be identified as year 1938 (due to mentioning of Anschluss Österreichs, which was the occupation and annexation of Austria into Nazi Germany in 1938, and later due to mentioning of occupying Bohemia, that is Czechoslovakia, which has happened also later in 1938). I am suspecting that being so far apart from the European information sources, Zweig in 1942 was not able to completely realize what kind of atrocities Nazi Germans were committing at that time. I am a fanatic of the Zweig's psychological approach. This novel is not as sharp and high tension tragic as those earlier novels, which I love most. The end of the story is not as dramatic as I would expect from Zweig. I would prefer to see more emotional and possibly even fatal outcome for both players, which is so typical for Zweig. I would envision (like to see) both main characters (yes, even Мирко Чентович / Mirko Chentovich) be more disturbed and acting more "crazy" at the end of the story. That would be typical Zweig's novella ending ! On another hand knowing that this book was written by Zweig just before he committed suicide (shortly after learning that Japan has attacked Pearl Harbor - which made him to lose the hope that Nazi's Germany and Japan will be defeated; the thought, with which he was not able to go on living ), requires me to recognize the state of Zweig's soul and mind at the time of the writing. I want at the end of this review to pay my last tribute to Zweig for the fact that in spite of his personal struggle, being refugee in exile far away from the Western Europe, which was dear to Zweig, - in Brazil which climate, language and culture were so different from the ones Zweig was accustomed to live in - regardless of all that, Zweig managed to put all his creativity and intellectual energy together in writing this very talented novel. Thank you Dear Stefan - I hope that you and your creations will never be forgotten and be always read and enjoyed by appreciating readers - Forever (or at least while Humanity still be considered as a virtue on this planet).
2020-08-26 21:21
Một bài đọc thú vị, và Ines Suarez là một nhân vật tuyệt vời. Tốt hơn so với tiểu thuyết lịch sử trung bình của bạn, nhưng không tốt bằng Con gái may mắn của Allende.
2019-12-12 04:37